A Brief History of the Blues article @ All About Jazz

rhytm and blues

Before World War II, Tampa Red was generally known as “the Guitar Wizard”. Carr accompanied himself on the piano with Scrapper Blackwell on guitar, a format that continued nicely into the Fifties with artists similar to Charles Brown and even Nat “King” Cole. In the 1920s, the blues turned a serious component of African American and American well-liked music, reaching white audiences through Handy’s arrangements and the traditional feminine blues performers. The blues evolved from informal performances in bars to entertainment in theaters. Blues performances had been organized by the Theater Owners Bookers Association in nightclubs such as the Cotton Club and juke joints such as the bars along Beale Street in Memphis.

The Development of Rhythmic Organization in Indian Classical Music, MA dissertation, School of Oriental and African Studies, University of London. The metric construction of music contains meter, tempo and all different rhythmic aspects that produce temporal regularity towards which the foreground details or durational patterns of the music are projected (Winold 1975, 209–210). The terminology of western music is notoriously imprecise on this area (Scholes 1977b). MacPherson 1930, three most popular to speak of “time” and “rhythmic shape”, Imogen Holst (Holst 1963, 17) of “measured rhythm”.

It is on this sense of a tragic mind-set that one of the earliest recorded references to “the blues” was written by Charlotte Forten, then aged 25, in her diary on December 14, 1862. She was a free-born black from Pennsylvania who was working as a schoolteacher in South Carolina, instructing both slaves and freedmen, and wrote that she “got here residence with the blues” as a result of she felt lonesome and pitied herself. She overcame her depression and later famous a variety of songs, similar to Poor Rosy, that had been popular among the slaves.

For a few years he was the house pianist at Muhlenbrink’s Saloon in Underground Atlanta. However, starting within the 1990s, digital multitrack recording and other technological advances and new advertising strategies including video clip manufacturing elevated costs, challenging the spontaneity and improvisation which are an necessary component of blues music.

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Bebop marked a significant shift within the position of jazz, from a popular fashion of music for dancing, to a “excessive-art”, much less-accessible, cerebral “musician’s music”. The viewers for each blues and jazz split, and the border between blues and jazz turned more outlined.

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Idiosyncratic numbers of bars are sometimes used, such as the 9-bar development in “Sitting on Top of the World”, by Walter Vinson. The term Blues may have come from “blue devils”, meaning melancholy and unhappiness; an early use of the time period in this sense is in George Colman’s one-act farce Blue Devils . The phrase blue devils may have been derived from Britain within the 1600s, when the term referred to the “intense visible hallucinations that can accompany severe alcohol withdrawal”. Though using the phrase in African-American music could also be older, it has been attested to in print since 1912, when Hart Wand’s “Dallas Blues” became the first copyrighted blues composition.