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Tone, moreover, is just one element in music, others being rhythm, timbre , and texture. Electronic equipment enabled some composers to create works by which the standard position of the interpreter is abolished and to report, instantly on tape or right into a digital file, sounds that have been previously past human capacity to produce, if to not imagine.

In each historic period there have been defectors from a number of of these views, and there are, after all, differences of emphasis. Aristotle, following Plato, thought that music has energy to mould human character, but he would admit all the modes, recognizing happiness and pleasure as values to both the individual and the state.

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But the uses he envisioned for music, despite his innovations, had been in the mainstream of tradition; Luther insisted that music must be easy, direct, accessible, an assist to piety. His project of specific qualities to a given mode is paying homage to Plato and Confucius. St. Thomas Aquinas (c. 1225–seventy four), held the basis of music to be mathematical; music reflects celestial motion and order.

Aristotle made a distinction between those who have solely theoretical information and those that produce music, maintaining that persons who don’t perform cannot be good judges of the performances of others. ), who was the first musical numerologist and who laid the foundations for acoustics. In acoustics, the Greeks found the correspondence between the pitch of a note and the size of a string. But they didn’t progress to a calculation of pitch on the basis of vibrations, though an attempt was made to attach sounds with underlying motions. Chinese music, just like the music of India, has traditionally been an adjunct to ceremony or narrative. Indeed, “noise” itself and silence grew to become elements in composition, and random sounds had been used by composers, such as the American John Cage, and others in works having aleatory or impromptu options.