He bought a fuel station in Brazil, devoted sculptures of lampposts to Santa Claus and, even as he labored like a demon, pretended painting was only a distraction from his relentless carousing. His portrait of Lemmy, leader of the English rock band Motörhead, shirtless and posed before a Confederate flag, is fuzzy, as if he was too soused to keep the scene in focus. Our present second bristles with an additional-particular awfulness, which can clarify not solely the existence of this new technology of ugly painters, however the notably freaky taste of their work. They’ve emerged out of an especially boring couple of years in portray, throughout which a flood of spinoff abstraction threatened to devolve the shape into the type of swank kitsch present in hotel lobbies.
He claims, nevertheless, that sculpture expresses spiritual freedom and vitality in the three-dimensional shape of the figure, somewhat than within the shade that has been applied to it. In portray, against this, it’s colour above all that is the medium of expression. The point of portray, for Hegel, is to not present us what it is free of charge spirit to be fully embodied. It is to show us solely what free spirit seems like, the way it manifests itselfto the attention. The pictures of portray thus lack the three-dimensionality of sculpture, however they add the detail and specificity provided by shade.
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