Dan Corso is president of the Atlanta Sports Council, the arm of the Metro Atlanta Chamber that serves as a recruiter for main regional, nationwide, and international sporting events. The ASC was instrumental in the number of Atlanta as the positioning for the 2018 College Football Playoff National Championship, Super Bowl LIII in 2019, and the 2020 NCAA Men’s Final Four (in the end canceled due to COVID-19). Corso can also be president of the Atlanta Football Host Committee, which helped plan the CFP National Championship. He serves on the boards of the Atlanta Convention & Visitors Bureau and College Football Hall of Fame. Prior to joining the ASC in 1999, Corso was vice chair of the pageant division for the 1998 Chick-fil-A Peach Bowl. In 2016, Stephen Cannon was named CEO of AMB Group, leading the for-profit arm of Home Depot cofounder Arthur M. Blank’s household of businesses, including the Atlanta Falcons, the Atlanta United, Mercedes-Benz Stadium, and the PGA Tour Superstore. Previously Cannon served as president and CEO of Mercedes-Benz USA, which generated document sales beneath his leadership, with annual revenues exceeding $20 billion.

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As the founder of the dance firm glo, conceptual artist and choreographer Lauri Stallings has remodeled the Atlanta dance scene, collaborating with artists including Robert Spano, Janelle Monáe, and Big Boi. Stallings’s work has been commissioned and presented by venues including the Center for Civil and Human Rights, the High Museum of Art, Art Basel Miami Beach, and the Zuckerman Museum of Art. In 2018 she acquired the Hudgens Prize from the Hudgens Center for Art & Learning. In 2019 Stallings was the primary choreographer in residence on the High Museum of Art and shared her choreographies in the XII Florence Biennale, where she was one of 400 artists representing 55 countries.

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Anthony Rodriguez is the manufacturing creative director of Aurora Theatre, which he cofounded 20 years in the past with Ann-Carol Pence, and which is now the second-largest professional theater in Georgia. An Atlanta native, Rodriguez is a graduate of the Atlanta Regional Commission’s Regional Leadership Institute, and in 2016 was the first Latino and the first arts chief to function chair of the Gwinnett Chamber of Commerce. In 2016, Gennadi Nedvigin became the fourth artistic director in the 87-yr historical past of the Atlanta Ballet.

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Born in Russia, Nedvigin was accepted into the distinguished Bolshoi Ballet Academy at age 10, and joined the Moscow Renaissance Ballet upon commencement. He joined the San Francisco Ballet in 1997; promoted to principal dancer three years later, Nedvigin has performed as Albrecht in Giselle, Nutcracker Prince in The Nutcracker, and Mercutio in Romeo and Juliet. He gave his last performance as a professional dancer in 2016 at Despertares, an international ballet and modern dance festival in Guadalajara, Mexico. For 15 years, Atlanta native Susan Bridges curated pop-up reveals around the city in churches, U-Haul amenities, delivery containers, and an underground parking storage. In 2006 she opened Whitespace Gallery in a former carriage home behind her Victorian home in Inman Park. Today the gallery represents more than forty native and national artists, who’ve proven work on the Smithsonian Institution, the Venice Biennale, and Art Basel Miami Beach. “I intend to contribute to this movement and can see that, very quickly, it will be weaved into the music trade’s mechanics.”

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Cannon also oversaw the relocation of MBUSA’s headquarters from New Jersey to metro Atlanta. An Army veteran who served as a primary lieutenant in West Germany through the fall of the Iron Curtain, Cannon speaks fluent German and graduated with academic honors from West Point. One of probably the most commercially profitable African American filmmakers in history, Tyler Perry created his well-known character Madea on the stage earlier than bringing her to the screen in 2005’s Diary of a Mad Black Woman, which grossed more than $50 million. In 2008 in Atlanta, he opened Tyler Perry Studios—the nation’s first major African American-owned film studio.